TAM display

David Hockney:Words and Pictures

18 April- 5 October 2015

Tel Aviv Museum of Art

The Gina and Gabriel Katri Gallery Herta and Paul Amir Building, Tel Aviv Museum

Drawn from the British Council Collection, this exhibition presents four major suites of prints produced by David Hockney from 1961-1977. United by their reference to historical works of literature and art, these prints were all produced during the first two decades of Hockney’s career when he established his international reputation as a Pop artist.

In A Rake's Progress, Hockney transposed the moral tale of a squandered life based on William Hogarth's late eighteenth century series of the same name, onto his own semi-autobiographical tales of a summer spent in New York. 

Hockney's admiration for the poetry of C.P Cavafy, the Greek poet of Alexandria, inspired him to illustrate fourteen of Cavafy's poems, capturing the sensuality of the original poetry with intimate drawings of his friends in London. 

His attraction to the simple direct style of writing in the world famous fairy tales collected by the Brothers Grimm was to influence one of Hockney's most ambitious printmaking projects, a series of eighty etchings illustrating six titles, thirty nine of which were published by Petersburg Press in 1970. 

The final suite, The Blue Guitar, 1977 was based on the poem 'The Man with the Blue Guitar' by the American poet Wallace Stevens, who had in his time been inspired by Picasso. The series of twenty colourful etchings with their vast array of imagery and styles are a homage to the Spanish master.


David Hockney"The Wallet Begins to Empty"from  "A Rake's Progress"  1961 - 1963,  Etching,  aquatint19 1/2 x 24 1/2 . Edition of 50  ©

David Hockney

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